Please note: The first 3 images show the original artefact which isn’t for sale.
Period: 14th – 15th Century (Late Medieval)
Original Material: Copper Alloy
Find Location: Somerset, UK
Style: Zoomorphic (animal-form) openwork
Significance of the Design:
- This piece features the flowing, curvilinear lines that define the La Tène art style. The design is “zoomorphic,” appearing to represent a highly stylized bird or a winged creature in flight. In Celtic mythology, birds – particularly water birds or birds of prey – were seen as messengers between the physical world and the spirit realm.
The presence of the open-work circle (or “eye”) is a significant design choice. This motif was often used to provide a point of suspension or to allow a contrasting material, like brightly coloured enamel or coral, to be set into the metal. While the piece’s exact use is debated, its shape and size suggest it may have been a high-status chariot fitting, a decorative mount for a leather harness, or a fragment of a larger, ceremonial vessel. In the watery landscape of Iron Age Somerset, such a creature would have served as a powerful talisman for protection and safe passage.
The Find:
Discovered by a detectorist in Somerset, this artifact likely belonged to the Durotriges or Dobunni tribes. The original fragment survives with a beautiful “Ceadar-green” patina, and the remnants of the casting seams show the “lost wax” technique used by Celtic smiths to create such complex, three-dimensional shapes. The wear on the internal edges suggests it was once part of a moving assembly, perhaps rattling musically as its owner travelled.

















